So why would Rosenberg spend so much space describing scenery?īecause Washington is not a randomly chosen setting: it is crucial to the Twilight plot and themes. The number one rule of screenwriting is to write economically - say what you need to say and nothing more. This is just one of the many lengthy descriptions of Washington Rosenberg inserts in the script of Twilight. She’s patched things up with her dad and she’s told her mom she’s staying in Forks.

Finaleīella is saved, and after the dust settles she and Edward go to prom, madly in love. To save Bella from becoming a vamp, Edward is forced to suck her blood– what he’s been avoiding this entire time. He injures her and sucks some of her blood before Edward and the Cullens enter and beat him up. James lures Bella to her old ballet studio. Bella has a falling out with her father in order to protect him. The Cullens try to protect Bella from the homing missile that is James.

Evil-vampire James sees Bella and clearly wants to devour her. Bella knows his secret, and their feelings for each other are made known. It’s a breakthrough, as now all the cards are on the table. Midpointīella confronts Edward: she’s discovered he’s a vampire. Meanwhile, Bella develops relationships with friends at school. Edward continues to be a weirdo, but is clearly obsessed with her. Rising Actionīella tries to figure Edward out, while simultaneously falling in love with him. This a) solidifies their bond and b) reveals to Bella that Edward has otherworldly powers. Plot Point OneĪfter a rocky beginning to their relationship, Edward saves Bella from a car crash. Inciting Incidentīella lays eyes on Edward (and the rest of the Cullens). We see her first day of school and are introduced to all the characters who will become her friends. Through voiceover, Bella tells us her current situation: she’s moving to Washington to live with her dad, who she barely knows.

Here is the story structure for the Twilight plot: Exposition STORY BREAKDOWN STRUCTURE OF TWILIGHT SCREENPLAY

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